Goddess Worship In America – Creating a Goddess-Friendly Culture

The following is the second excerpt from the booklet by Maria Kneas entitled “Goddess Worship in America and How It’s Affecting the Church”.

The “Age of Enlightenment” gave birth to rationalist materialism. In reaction against this denial of the importance of emotions, a generation of Romantic poets, novelists, artists, musicians and philosophers developed. Many of them were involved with drugs, the occult, Rosicrucianism, or Freemasonry.

Following Darwin’s theory of evolution, they speculated wildly about the evolution of society. Nationalism became a romantic search for pagan roots, as seen in Wagner’s operas and the fairy tales researched by the Brothers Grimm. Womanhood was idealized. The myth of a past utopian matriarchy was developed. Psychologist Carl Jung idealized the concept of the “anima,” the feminine side of man.

Romanticism even invaded history and archaeology. Bachoven developed a theory of matriarchy openly based on imagination and not on searching for hard facts. Feminist scholars followed
Bachoven’s lead. A historic myth was developed in which an ideal, matriarchal, goddess-worshiping society was destroyed by patriarchal invaders who brought with them all the ills of modern society.

The scholarship involved in these studies of history and archaeology is so faulty that Philip Davis says: An important lesson of this book is the ease with which patent falsehoods may clothe themselves in the garb of scholarship and masquerade as truth. (emphasis mine)

Feminist scholars and other academic radicals say objective facts and historical accuracy are not even a valid goal: A feminist scholar told her audience that it is indeed “ethical” for an historian to ignore historical evidence in order to construct a narrative . . . while still presenting it as history. (emphasis mine)

In addition to “constructing narratives” (i.e., making up stories and presenting it as history), many academic radicals “explicitly reject the quest for objective truth; they claim that objectivity is not only impossible to achieve in pure form, but actually illegitimate in the first place because it expresses a patriarchal, oppressive mentality.”

Before full-blown goddess worship developed in the 1950s, American art showed popular imagination being prepared for it. For example, the Statue of Liberty looks like a Greek goddess
and is over three hundred feet high. The inscription presents the statue as speaking, and she calls herself “Mother of Exiles.” A 1915 poster for the Red Cross shows an American nurse with a
billowing, hooded cape that makes her look like a cross between a nurse and a Greek goddess. She carries a placard which says: I am the Red Cross of Peace. I heal the wounds of war. I am a refuge from fire, flood and pestilence. The love of little children is mine.

The National Academy of Sciences has a Great Hall done in Byzantine architecture designed to look like a “temple of science.” The dome of that hall looks like it belongs in a cathedral, except it has figures that look like Greek goddesses. Science is personified as a goddess, with an inscription that says: To science, pilot of industry, conqueror of disease, multiplier of the harvest, explorer of the universe, revealer of nature’s laws, eternal guide to truth.